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Special advisor to the edition: Evelyn Lear, renowned Strauss
interpreter. A newly researched, edited and engraved edition of
this major, standard art song literature. There are historical
notes included for each song describing pertinent circumstances of
composition and first performances. Line by line literal
translations are given at the head of each song. This is the best,
most informative edition of Strauss songs ever assembled. Contents:
Ach Lieb, ich muss nun scheiden! * Ach weh mir ungluckhaftem Mann *
All mein Gedanken * Allerseelen * Amor * Befreit * Breit' uber mein
Haupt * Cacille * Der Pokal * Die Georgine * Die Nacht * Die
Zeitlose * Du meines Herzens Kronelein * Einerlei *
Fruhllngsgedrange * Fur funfzehn Pfennige * Gluckes genug *
Heimkehr * Heimliche Aufforderung * Herr Lenz * Ich Trage Meine
Minne * Ich schwebe * Ich wollt ein Strausslein binden * Kling! *
Leises Lied * Mein Herz ist stumm * Meinem Kinde * Morgen *
Nachtgang * Nichts * Ruhe, Meine Seele! * Schlagende Herzen *
Schlechtes Wetter * Schon sind, doch kalt * Seitdem dein Aug' *
Standchen (Strauss) * Traum durch die Dammerung * Wie sollten wir
gehelm sie halten * Wiegenlied * Zueignung.
Three important orchestral works, including very popular Till Eulenspiegel's Merry Pranks, reproduced in full score from original editions. This volume and its companion volume make available for the first time in convenient, inexpensive editions all the important Strauss tone poems. Study score.
This collection offers five lush piano solos for the advanced
player. Each piece is orchestral in texture, although none are very
lengthy. The pieces may be performed separately or as a complete
set. A cleanly printed edition.
A group of resourceful kids start "solution-seekers.com," a website
where "cybervisitors" can get answers to questions that trouble
them. But when one questioner asks the true meaning of Christmas,
the kids seek to unravel the mystery by journeying back through the
prophecies of the Old Testament. What they find is a series of "S"
words that reveal a "spectacular story " With creative characters,
humorous dialogue and great music, The "S" Files is a children's
Christmas musical your kids will love performing.
Inexpensive edition reprinted directly from original Fürstner (1911) edition of vocal score. Verbal text, vocal line and piano "reduction."
The graceful, sophisticated waltz music from Strauss's classic
opera has been tastefully transcribed for violin and piano.
Now published in the Masterworks Library. Landmark 20th century
works from the Boosey and Hawkes catalogue available for the first
time in full score format at pocket score prices with introductory
notes, illustrations and photographs. Ideal for students,
conductors, performers, libraries, CD collectors and general music
enthusiasts. This volume contains Four Last Songs, Metamorphosen,
and Oboe Concerto.
The most influential work of its kind ever written, appraising the musical qualities and potential of over 60 commonly used stringed, wind and percussion instruments. With 150 illustrative full-score musical examples from works by Berlioz, Mozart, Beethoven, Gluck, Weber, Wagner and others, and numerous smaller musical examples. Complete with Berlioz' chapters on the orchestra and on conducting. Translated by Theodore Front. Foreword by Richard Strauss. Glossary.
Special advisor to the edition: Evelyn Lear, renowned Strauss
interpreter. A newly researched, edited and engraved edition of
this major, standard art song literature. There are historical
notes included for each song describing pertinent circumstances of
composition and first performances. Line by line literal
translations are given at the head of each song. This is the best,
most informative edition of Strauss songs ever assembled. Contents:
Ach Lieb, ich muss nun scheiden! * Ach weh mir ungluckhaftem Mann *
All mein Gedanken * Allerseelen * Amor * Befreit * Breit' uber mein
Haupt * Cacille * Der Pokal * Die Georgine * Die Nacht * Die
Zeitlose * Du meines Herzens Kronelein * Einerlei *
Fruhllngsgedrange * Fur funfzehn Pfennige * Gluckes genug *
Heimkehr * Heimliche Aufforderung * Herr Lenz * Ich Trage Meine
Minne * Ich schwebe * Ich wollt ein Strausslein binden * Kling! *
Leises Lied * Mein Herz ist stumm * Meinem Kinde * Morgen *
Nachtgang * Nichts * Ruhe, Meine Seele! * Schlagende Herzen *
Schlechtes Wetter * Schon sind, doch kalt * Seitdem dein Aug' *
Standchen (Strauss) * Traum durch die Dammerung * Wie sollten wir
gehelm sie halten * Wiegenlied * Zueignung.
For French horn and orchestra (piano reduction).
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Arabella (Paperback)
Richard Strauss; Translated by John Gutman; Volume editing by Nicholas John
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R307
R264
Discovery Miles 2 640
Save R43 (14%)
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Written in 1927, Arabella is a portrait - partly romanticized,
partly factual - of Habsburg Vienna in the 1860s. It is also a
celebration of the profound importance of courage and the ability
to forgive in love. Our sympathies are not only drawn to Arabella,
who waits for "the right man" to come, but to her younger sister,
who breaks with conventional morality in the cause of her love.
This opera is a moving testament to Hugo von Hofmannsthal, who died
before it was completed, and it remains one of the best-loved
products of his twenty-five- year collaboration with Strauss.
Contents: The Edge of the Cliff, Michael Ratcliffe; A Musical
Synopsis, William Mann; A Profound Simplicity, Patrick J. Smith;
Hofmannsthal's Last Libretto, Karen Forsyth; Arabella: Libretto by
Hugo von Hofmannsthal; Arabella: English translation by John Gutman
Der Rosenkavalier has one of the longest and most exquisitely
crafted texts of all opera. The depth and subtlety of the
characterization can only be appreciated after a careful reading.
Derrick Puffett notes that the sentimentality and parody of the
subject perfectly matched Strauss's genius. Michael Kennedy's
detailed musical commentary shows how the large orchestra is
handled with exceptional skill. Peter Branscombe points out that
Hofmannsthal set a new standard of libretto-writing and shows how
the ideas in Der Rosenkavalier may be traced to his other works for
the stage, in his prose and poetry. Contents: An Introduction to
'Der Rosenkavalier', Derrick Puffett; Comedy for Music, Michael
Kennedy; Hugo von Hofinannsthal - Man of Letters, Peter Branscombe;
Der Rosenkavalier: Libretto by Hugo von Hofmannsthal; Der
Rosenkavalier: English translation by Alfred Kalisch
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